Monday, November 30, 2009

Grief

Grief


“Jenny come push me.” “OK, Nicaola.” The sun is warm over the playground and filters through the trees in shifting green and gold flecks. There is a tire swing, two swing sets, a climbing gym and a wooden tower with a platform at the top. I'm a percher, I like to perch. I like to find solitary spots, high above ground where I can sit and watch.

It's safe up here. Away from Michael and his gang. They cornered my friend Ellen by the tether-ball pole and teased her until she cried. She swears she's never coming back to school. I don't blame her, school sucks. I'm in the sixth grade, Nicaola however, is a fourth grader. She's my fourth grade partner for this term and I'm responsible for making her lunch and playing with her. She likes to swing, so I'm going to try to push her until she flips right over the bars.

“Pump your legs, Nica.” Nica looks back at me her long black hair flying out behind her,“I am,” she says gleefully. It's easy for me to push her because I'm short, so I don't have to bend over. As she swings back I grab the sides of the swing, pull it up over my head until my feet leave the ground and then throw her as hard as I can. Nica screams “Whoooo, look Angelina I'm flying” Angelina stops and waves, then asks if I can push her too. “Sure,” I say, “No problem.”

I alternate swinging them as high as I possibly can while keeping a watchful eye out for Michael. I've developed a talent for becoming invisible at will. All I have to do is think about being small and unimportant and I just bend attention around me. It's tiring and takes a lot of concentration but it's worth it. I am so confident in my ability to disappear that I feel relaxed in math class, knowing that the teacher won't ever call on me to answer a question. Michael and his gang, Niall, John and Mark are slowly traversing the playground, looking for victims. Just the sight of them makes my blood turn cold. They don't pull their punches.

They corner someone and then call them names, shove them back and forth, spit on them, punch them and when the poor girl, (it's usually a girl) is on the ground crying, they tell her what they'll do to her next time they catch her alone. I've only been that girl once, but once is all it takes to make you small, quiet, and invisible. Nica and Angelina turn to me, saying that they're going to go play on the tire swing. “OK,” I say and wander back to my perching platform. I climb up and sit, looking over the field. My best friend Michelle climbs up next to me.

“Didja hear about what Micheal did to Amy?” she asks excitedly.

“No” I say “What happened?”

“Michelle gives me a conspiratorial look and lowers her voice saying, “They caught Amy walking by the bushes over by the church and shoved her down the hill. They told her she was a bastard because she's adopted and told her she's so ugly, that as a baby, her mom had to feed her with a slingshot.”

I feel sorry for Amy. I know exactly how she feels right now, but part of me is glad that it was her and not me. Part of me thinks that maybe, because they got Amy, they won't go after me. The principal, Mrs Adams, is walking towards us across the field. She's probably out patrolling the playground. All the teachers take turns. She walks up to us with a serious look on her face and says, “Jenny, your parents are coming to pick you up. You need to get your things and wait for them in the counselor's office.

“OK,” I say. Michelle turns to me wide-eyed with fear.

“Is everything OK? What happened?”

I have no idea, but I remember mom saying that we were going to go visit grandma and grandpa this week, so I tell Michelle that it's nothing; we're probably just leaving early because my dad hates driving in traffic. Mom picks me up and doesn't talk much. Dad is driving and his face is an angry mask with narrow slits for lips and eyes. I sit and look out the window practicing being invisible. I think about horses and daydream about taming a flying unicorn and flying off to a magical country where I have the power to control air, water, fire and wishes.

We're driving down the freeway when suddenly mom turns and says to me, “ I have something serious to tell you.” I look at her, waiting. “Grandma called us this morning. Grandpa had a heart attack. He died.” Dad makes a choking noise and swerves on the road a little. Mom turns to him asking if she should drive. He says no, he's fine. I don't know what to say, so I don't say anything. We get to grandma's and there are a ton of people there. I don't know any of them. Everyone is crying. Everyone is trying to comfort grandma. I try to stay out of the way. I'm not sure what I'm supposed to be doing. I want to go out and play with Scotty, my little brother, but I have to stay inside. I want to read, but I didn't bring a book. No one will let me turn on the TV, so I drift and daydream.

Grandma walks over and squeezes the breath out of me while saying in a choked voice, “Your such a good grandchild. Grandpa was very proud of you, you know that, right?”

I nod while mumbling, “Yes, I know that” but I'm still not really sure what's going on. They said grandpa died, but what does that mean? I just saw him a few weeks ago, we played cards. Grandma asks dad to read grandpa's favorite passage from the bible. Dad tries, but after a sentence or two he starts choking and crying. He sets the bible down, unable to continue. Mom hands me the bible saying, “Why don't you read, you're a good reader.”

“OK,” I say. I am a good reader, I'm very proud of that. I learned to spell Constantinople by the age of three and could read all the Dr Suess books too. I pick up the bible and grandma points to where I should start reading. I straighten my shoulders and begin, trying to enunciate clearly so everyone in the room can hear me. I'm doing great, I've finished the first paragraph and everyone is nodding and crying or listening respectfully.

Smack! I see white spots in front of my eyes and I hit the floor with a thud. I look up and my father is standing over me with his hand raised to slap me again. Mom and grandma rush to hold his arm. His face is twisted, he looks like a big, angry gorilla. I crawl backwards, face stinging, feeling dizzy and sick. I throw up quietly in the corner of the living room and then get up and go to my room. I sit. I don't understand what I did wrong. I read well, didn't I?

A few moments later, mom comes in to see me. Her face is red and shiny. She's not smiling. She says, “I'm sorry. Your father is upset and he's not thinking. He loves you and didn't mean to hurt you.” I nod, I don't know what to say. He hit me. I'm cold. I feel different now, separate, duel. I listen to two of grandma's friends in the other room discussing whether or not grandpa was a member of the Freemasons before he married grandma. I think about this, wondering what a Freemason is and why it matters. I make a mental note to look up Freemasons when I get home. I begin a whole list of mental notes to research later like how to act at funerals and what does it mean to be cremated. I'm going to be staying at the library for weeks. Mom tells me about what to expect at grandpa's funeral, tells me not to touch the body, that it's just for looking at. I nod, but I don't understand, he's still my grandpa, why can't I touch him?

Time is different here. The night goes by like it never was and now it's time to dress up for the funeral. It seems wrong to put on Sunday clothes to say goodbye to grandpa. Grandpa was a train engineer, he was always dirty. He loved to work outside and go hunting with his friends. He wouldn't like all this uptight stuffiness. The funeral is like a church service but shorter. Dad doesn't look at me, he hasn't since he hit me and I hate him for it. I hate him for hitting me and I hate him for not caring that he hit me. I follow mom up to the coffin. She tells me to say goodbye to grandpa but not to touch him.

I look at him. I see the diamond shaped wrinkles on his neck that I always traced with my finger, wondering how they got there. I look at his eyes and lips, checking if I can see the stitches where the embalmer stitched them shut. I don't remember who told me about that. I reach out my hand and touch his eyelid and his cheek. It doesn't make sense that I can play cards with someone one day and their dead the next. Mom takes my hand and we walk away.

Back home, late at night, I can hear them whispering downstairs in the kitchen. Dad angrily grunts, “She never cried, she's like a machine.” Mom answers quietly, patiently,

“She's young. Everyone handles grief differently.”

I hear dad get up and pace before thunking back down on the old, hard green sofa. “She hasn't even asked about him, how he died, if she's going to see him again. Shouldn't she be asking these kinds of questions?”

Why? I wonder to myself, why would I ask them when I can just look it up at the library. I prefer asking books over people. Books don't slap me and knock me down. I don't hear the folks talking anymore, so I slip back to bed. I wake up the next morning, almost forgetting what had happened. Almost. It's time for me to go back to school. At first period, everyone comes up and says their sorry. I don't understand why everyone is paying attention to me but it's a good kind of attention and I like it, so I go with it.

The attention only lasts a day or two and then it's back to business as usual. Michael is stalking me now. Apparently my magical shield of invisibility crumbled under the onslaught of all the attention I got after grandpa died. Michael can see me now and he wants to hurt me. He shoulders me into a locker in the hallway.

“Hey Eddie boy, we're going to shove that big nose of yours into the biggest, wettest, stinkiest pile of shit you ever saw. You're going to be puking your guts out for weeks, Big Nose Eddie.”
He always knows just what thing a girl is most sensitive about. I have a big nose and allergies, so I have to blow my nose every few minutes. Everyone teases me about making dying cow noises when I blow my nose and about being ugly. I ignore him, keeping my eyes on the ground. I think about shadows, quiet dark places, tall unreachable perches, invisibility.

I know my place in the world. I'm an outcast. One of the quiet, ugly people that the pretty people step around and patronize. Sometimes the popular girls will decide to take a charity case under their wing for a few days to try to change them. I lasted half a day before they gave up. I wasn't worth the effort. I enjoyed the brief attention though and noted the way they talked. It was so different from the way my friends talk. The popular girls discussed brands and names and colors. They made fun of Lisa who always came to school in mink coats and lipstick. She had stringy blond hair, pale skin and flaunted her rich stuff, so she really stood out.

My friends and I usually just talked about our problems. Who had gotten beat up, who had fought with their stepparent, who wanted to run away. We had trouble wrapping our minds around high fashion and brand names. Those things weren't really part of our world. After classes ended, I went out to the parking lot to wait for my ride home. Every day after school, the carpool would pick us up. I rode with the Jurgens and sometimes the Fishers or Jarmins. We would all pile into whichever car came to pick us up.

My mom drove a Checker Marathon. It had a huge back seat, so three of us would sit on the floor, four on the back seat and two up front. Mom had taken some time off from carpooling to help my dad and grandma with sorting my grandpas affairs, but now, after several months of back and forth driving to Eugene to help grandma, she was back and pulling into the school parking lot. I scrambled to get the primo seat, the middle seat in the back where I could quietly be in the middle of everything, but wouldn't have to move every time we dropped someone off.

It was always fun gossiping on the way home, talking about what games we were going to play. Who was going to play football out in the street or baseball. I was a good hitter and wasn't afraid to tackle. I was also the only girl in the neighborhood. After everyone else was dropped off, mom and I pulled into our own driveway. She turned to me and asked, “So , would you like to make cookies?”

“No,” I answered, remembering her love of baking with carob, seeds and whole wheat. “I'm going upstairs to read.” I tossed my book bag onto the bricks in front of the fireplace and ran up the red carpeted stairs to my bedroom. I turned on the radio and then went into the bathroom to pee and comb the tangles out of my hair. As I combed, I felt tears falling down my cheeks. I stopped, staring at the brush, confused. Placing my hands on the cool porcelain of the sink I looked at myself. A blank face stared back at me, tears streaming down the cheeks. I felt so sad and just collapsed onto the floor crying, sobbing. I didn't understand why I was crying but something felt terribly wrong.

Then, I thought of grandpa. I missed him. It had been several months since his funeral but I missed his diamond-shaped wrinkles and the smell of cigarette smoke. I missed his smile and the way he'd play practical jokes, driving my folks nuts. He taught me about fire by putting my hand in the flames and taught me what claustrophobic meant by making me sit in a closet for an hour. He “fixed” my broken finger by pulling on it. Mom almost smacked him for that and I loved him for all of it. I missed him and he was gone.

I went and collected everything I had that he had ever given me. The doll from Minnesota, the clock from Germany, the barrel from Alaska and the Indian dolls from Arizona. This was all I had to remember him. “Mom” I yelled, “Can I have a picture of grandpa?” There was silence for several minutes, then she walked to the foot of the stairs and looked up at me. “Of course, we have a nice photo of him. We can go make a copy for you tomorrow.”

“OK, thanks,” I said feeling better.

Ass-hats

The feeling of flying is addictive, it brings solace. The road is always a downhill run even when you're climbing a mountain. The road pulls you and when you finally hit that corner just right, it sucks you through, pinning you to the seat of your motorcycle, then throws you out of the corner, ready to do it again and again.

The bike goes where you look, it’s a part of you, attached. To corner, you don’t ever look where you're going, you look to where you want to be and the bike takes you there. You look, then move with the bike, dropping an elbow, shifting your weight subtly on the seat, leaning forward just a little, letting off the throttle before the corner and rolling on it halfway through to emerge exultant on the other side. Your bike is a friend, partner, an extension of yourself, not just a vehicle that you ride.

When your intimately comfortable with your bike, you have mojo. You and the bike become a single entity and you stop riding the bike and start riding the road. Your hands, your feet, your tires, all part of you. Once you get your mojo on with a bike and the corners, you're unstoppable, until your tires slip out from under you. You slam into the ground at thirty-five miles an hour, sliding across the pavement, shredding your favorite jeans and smashing your ipod. You forget what a kill switch is for as the engine revs. Adrenaline makes you strong, you don’t feel the pain of your damaged ankle and massive bruises till much later. You get up, shake it off, get your bike back, shiny side up, rubber side down and if it still runs you get back on the road.

The road is a living thing. Ever changing, mutable. A beautiful curvy road can be a sweet run in the afternoon but come evening that same road becomes a terror. Shadows hide fallen leaves and oil spills, evening dew reduces traction, possums and racoons run out in front of you. A week of moist weather can cause moss to grow down the center of a formerly tame road. Hit that with your tires and there goes your traction, your lifeline to the road. As you ride, you cling to your awareness of the road, your relationship with the road and your road mojo.

Mojo is a tricky thing though. It flees at the first sign of danger and catching it again is like grasping at flies with plastic chopsticks. Then, once you’ve finally got your mojo back, you have to watch out for complacency. You can’t just relax and enjoy the ride. You have to maintain a godlike awareness of your world.

You have to watch out for the caged drivers because they are all out to kill you. It’s not paranoia, it’s a rule of the road, a simple fact that acknowledged, could save your life. Everyone and everything on the road, including the road itself, wants you dead.

If you commute on your motorcycle, you'll discover that there are so many morons in cages. You'll often wish you had sub-machine guns mounted to your bike. You could die horribly when brain-dead, espresso-swilling, cell-phone-using douches dive over your side of the line. It's always on your mind. You would have to run onto the shoulder to avoid crashing. Naturally, you give them the one-finger salute but it would still be scary as hell.

Another possible scenario is when parked at a red light, wedged in behind a pickup truck and a semi on your left, you hear a screetching noise followed by a crashing thump. Look to the right and sliding to a stop are two Mexican kids in a red sports car, three feet from your bike. All you would have time to do is shake your head and exhale.

It's too easy to become complacent in a cage, to not think about those around you and to not care. You feel warm and safe, so you barrel ahead blindly instead of scanning the road. Why scan when you could just run over most obstacles, such as shredded truck tires or roadkill, without ever being affected by it?

It's different on a bike. Roadkill is slippery, like hitting a puddle of ice. You lose traction and you're down. When you're down, you risk being run over by the ass-hat in the cage behind you who is too busy playing with his cell phone, laptop or genitalia to notice that you're now a speed bump.

The intimate relationship I have with my bike has advantages. When I'm riding, I'm never alone. Most riders have a similar relationship with their bike and the road, even if they only ride in the sun and cage it the other half of the year. This develops into instant rider camaraderie. You pass a rider on the road, you instinctively flash the biker salute. You pass the fuzz, then see a rider coming your way, you pat the top of your helmet giving them notice of the impending speed trap. In this way, every rider on the road is both your friend and accomplice.

When a group of bikers ride together, there is a system of unity and solidarity to their riding. You have a lead rider in the front and a sweep rider at the rear. Riding sweep is only for experienced riders. The sweep rider's job is to lag behind and watch for those in trouble, so as to render aid. Furthermore, when the lead rider signals a lane change, the sweep is the first to change lanes to prevent cages from slipping into the group. The sweep rider will also run a roadblock with his bike if need be, to get the group safely on the road together, from a parking lot or stop. This is always the most dangerous job as impatient cagers sometimes threaten to run the sweep rider over, or just threaten to kick his or her ass. Sweep riders are both pit bulls and emergency response.

In a group, you ride in a staggered formation, giving enough room to the riders around you that they can swerve to avoid obstacles, while still sticking close enough that cagers can't bully their way in. However, you don't follow the rider in front of you through the corner, you ride your own line not theirs. In a group, you all ride together but you still ride your own ride at your own pace and comfort level.

This level of simultaneous cooperation and autonomy is very rare. It creates a bond that's stronger then friendship because it's based on trust and survival. To ride is to be free. To ride with others is equally to be focused on your ride and the road, while maintaining hyper awareness of those around you. A strange duality of focus that creates bonds between even the most unlikely individuals.

Tuesday, September 15, 2009

yes

SAY YES

By

Jennifer Eidson



SKYPE (503)608-4967

http://twitter.com/JenniferEidson

FADE IN:

INT-josie and marco's dining room – night

A cozy dining room, a young man, marco walker and his girlfriend josie milton sit opposite the dinner table eating. Josie reaches for the salt. marco takes the salt and sprinkles a little on her food while holding her hand. She smiles at him, then tries to pull her hand away. He resists for a minute, then lets her go with a smile.

Josie

How was your day?

MARCO

Good, got a lot done. How was your day? Do anything interesting?

JOSIE

Good.

MARCO

You weren't out cheating on me with some young hottie?

JOSIE

No, I wasn't. Are you all packed?

MARCO

Relax, I know you wouldn't.

And no. I've spent all this time getting ready for four months of business boot camp at the new branch office in Osaka.

I have no idea what to expect, and I really don't want to leave you all alone here.

(he brushes her cheek tenderly with his hand)

JOSIE

I know.

(looks away)

I'm going to miss you too.

INT- AIRPORT-NIGHT

They stand together Marco holding JOSIES hand. He pulls her roughly to him and she stumbles against him awkwardly.

MARCO

You'll be good while I'm gone?

You'll take care of all my bills and obligations

just like I asked?

JOSIE

Of course.

(puts her arms around his waist and looks up at him sadly)

MARCO

Well I gotta go. Love you

I'm gonna miss you.

(kisses her on the lips)

JOSIE

Love you too.

(kisses him back,her hand lingers on his waist)

MARCO

(walks away bags in hand, doesn't look back.)

EXT-A DARK WOODED STREET- NIGHT

josie walks along slowly and timidly. She passes an old farmhouse and a huge white owl passes slowly overhead, a coyote howls and she smiles and begins walking with confidence.

JOSIE

(takes a deep breath and sighs, rounds a corner and heads towards her well lit home, walks inside and goes to bed)

INT-JOSIE'S LIVINGROOM-DAY

josie sits in front of the computer surfing. She stumbles upon a website where a group of women have formed a motorcycle riders group.

Cut to computer screen showing website

EXT-AT A MOTORCYCLE SHOWROOM-DAY

SALESPERSON

Hi, can I help you?

Would you like to see the new Honda Fury?

JOSIE

Hmn, I've never ridden before, do you have one with training wheels?

josie and the salesperson laugh.

SALESPERSON

Take a look at our Honda Rebel 250's. Perfect for beginners and you can learn to ride in one weekend.

(shows her a shiny red Honda)

JOSIE

(Smiling) Cool! I'll take it. done and done.

(shaking the salespersons hand).

begin learning to ride montage

A. josie learning to ride her motorcycle,

B. josie meeting the woman's riders group,

C. josie going for short rides and long midnight walks.

D. Cut to marco in business boot camp helping teammates over obstacles and getting shot at in simulated combat with real ammo while trundling through the mud in a swanky suit and tie.

INT-JOSIES HOUSE- NIGHT

josie sits alone in the living room sadly staring out the window, chin cupped in palm. On a table next to the window are pictures of marco and josie camping, fishing, skiing and rolling on the ground laughing and tickling each other. A tear trickles down josie's face.

josie (coughs once, quietly)

INT–A NEIGHBORS HOUSE–DAY

jake a good looking neighbor watches josie from his window. He smiles when he sees her and noticing her struggling with a load of laundry goes to help her.

JAKE

So, your names Josie right?

(he grabs a bag of laundry with each hand)

Let me help you with these.

JOSIE

Yup and thanks. Guess I overestimated my carrying capacity.

(she smiles absentmindedly in his direction not really seeing him.)

JAKE

So, you've lived here for a while huh?

(trying to get her attention)

JOSIE

About three years or so.

(reaches to take the laundry from him)

Thanks for the assist. I'll have to remember to get one of those rolling laundry carts.

(Smiles in his direction without looking at him and begins doing her laundry)

JAKE

No problem, see ya around.

(sadly walks away)

INT -JAKES OFFICE– DAY

jake is sitting in front of a computer screen, chin in hand, daydreaming about josie

(Thought bubble shows) her holding him, kissing him.

He is so distracted he doesn't notice the hot cup of coffee a co-worker set next to him and as he imagines sweeping josie into his arms he knocks the coffee into his lap and yelps.

EXT-JAKES CAR-NIGHT

(jake sits in his car in front of the housing complex. He waits for Josie to pull out of the complex on her motorcycle and then follows her from a distance.

Every time she has to swerve to avoid an obstacle or hit the brakes he inhales nervously.

He follows her until she returns home then he watches her go into her house before going home himself looking over his shoulder at her home once before walking in his own door)

EXT-MONTAGE-DAY

A. josie is oblivious to jake's interest in her.

B. He bumps into her in the courtyard.

C. another day he loans her money for the laundry machine.

D. another day he helps get her puppy's head unstuck from between the railing along the staircase and each time he tries to get her to make eye contact, to see him smiling at her, to get her to notice him and each time he fails.

EXT-DAY-MARCO IN BOOTCAMP

marco is in a business boot camp in Osaka Japan. The camp appears swanky and nice from the outside but inside the perimeter is rough, dirty, wild and run by a mean Drill Sergeant

DRILL SERGEANT

All right you corporate maggots form up and give me twenty, double time.

MARCO

Sir, yes sir!

Marco and the other men do twenty pushups and then stand tiredly.

DRILL SERGEANT

(Yelling corporate psychobabble at all and no one in particular)

You privates are so out of shape you look like five pounds of straight up shit.

You privates are so unmotivated and uncoordinated your going to do pushups until I get tired.

Your the sorriest bunch of privates I have ever met. At the age of 92 my grandma does better then you.

MARCO

(leans over to the guy next to him, whispering conspiratorially)

Hey, mike what is all this supposed to teach us?

MIKE (A MEEK OWLISH MAN)

I dunno,I was expecting intense seminars and high strung keynote speakers, not GI Joe.

MARCO

Maybe we're supposed to fight back or something, wrest control away from the hostile takeover?

MIKE

Geeze I hope not, I'm not much good in a fight...or running away...I'm really just a good stand and cower guy...although I've been told I can plead for my life like no other.

MARCO

(laughs out loud)

DRILL SERGEANT

You! Second row, ten laps, get going.

(pointing to Marco)

Marco sighs and heads down the track.

MARCO (chants cadence)

josie, josie, can't you see
what the Army's done to me

They took away my faded jeans
Now I'm wearing Army greens

They put me in a barber's chair
I turned around, I had no hair

I used to drive a Cadillac
Now I hump it on my back

I miss my little beauty queen
Now I hug an M-16

I used to drive a Chevrolet
Now I'm walking every day

josie, josie, can't you see
what the Army's done to me

EXT – COURTYARD-DAY

Jake and Josie see each other in the complex courtyard and begin to have a pleasant conversation about the weather and neighbors.

JAKE

So, looks like it's going to be another nice day. Makes me glad I moved here from Tulsa, too damn hot there.

JOSIE

Ya, I love the weather here, it gets a little too muggy in the summer but that's a small price to pay for not having to deal with ten feet of snow in winter or one hundred and thirteen degree heat in summer.

JAKE

Ya,but you'd think we lived in the bowels of hell to hear Mr. Molone talk about it.

JOSIE

Oh, he's never happy with anything. I've never heard one nice word come out of his mouth in three years.

JAKE

Ouch,that's no way to live.

JOSIE

I agree

(she actually looks at him and smiles, for the first time really seeing him)

JAKE

(Smiles back warmly, takes a small step closer to JOSIE)

JOSIE

Well, I better get going I have to take Rufus to the vet.

(blushing slightly)

JAKE

OK, well nice talking to ya, See ya later.

(he smiles again and turns and walks back to his home)

EXT-COUNTRY ROAD-NIGHT

josie goes on a long ride out in the country. jake follows from a distance but loses sight of her. josie rounds a corner and has to brake hard and swerve to avoid a deer. The bike death wobbles and she can't recover. She and the bike go off the road into thick underbrush.

cut to josie lying next to her mangled bike front tire still spinning

JAKE

(driving too fast trying to catch up to Josie, almost misses the skid marks on the road. Sees a flash of light glinting off one of her mirrors and quickly stops and runs over to investigate.

JAKE

Josie, oh shit Josie are you all right,

(touches her shoulder while fishing his cell phone out of his pocket)

JOSIE

(moans softly, moves her hand)

JAKE

I'll be right back Jos hang on I'm getting help

(tries to reach nine-one-one but can't get a signal.)

JOSIE

(opens her eyes briefly and smiles in recognition then closes her eyes and passes out again.)

EXT–EARLY EVENING–HILLSIDE

JAKE

(Races to his car and barrels up the hill, narrowly avoiding hitting the same deer that josie almost hit. He keeps trying to get a nine-one-one call out and as soon as he gets a signal he calls.)

(O.S)

Nine-one-one, if this is an emergency please say emergency.

JAKE

emergency!

(Then quietly to himself)

I'm calling nine-one-one, of course its a damn emergency.

(O.S)

What is the nature of your emergency sir?

JAKE

My friend, she wrecked her bike off of Holland Road near Bakersfield. She needs an ambulance right now.

(O.S)

Can you tell me the name of the nearest cross street by her location?

JAKE

Opportune road

(O.S)

An ambulance has been dispatched, are you at the location with her now sir?

JAKE

No, I had to leave to get a signal but I'm going back now. She was breathing but unconscious. I have to be with her in case she wakes up.

(O.S)

OK, sir please stay on the line as long as you can and if you get to her before the ambulance, please don't move her, just try to keep her warm and comfortable and monitor her breathing and heart rate.

JAKE

OK, will do.

(driving fast back the way he came, looking for JOSIE, sirens and flashing lights can be seen in the distance.)

INT-HOSPITAL-DAY

Josie lies in a hospital bed, a bandage around her head and a few cuts and bruises on her body. She looks around and notices a beautiful bouquet of Alstroemeria sitting next to her bed. She muzzily reaches for the card and opens it reading it aloud.

JOSIE

Dear Josie, hope you're recovering from your first flying lesson. Thought you might like to try flying again and it sounded like fun so, I thought you'd consider joining me in a second lesson.

Josie frowns quizzically and as she looks at the note two slips of paper fall out of the envelope, they're two tickets for a bi-plane flying lesson at the local small town airport and the name on one of the tickets is jake johnson, her neighbor.

JAKE

So, how are you feeling?

(in hospital doorway)

JOSIE

Better

(smiles back)

I think I like your idea of flying with wings, better then my idea of just winging it.

JAKE

I hear your about ready to go home so, I thought I'd give you a ride if you like.

JOSIE

I do like, I am so ready to get out of here, I hate hospitals.

NURSE

Knock knock.

(smiles at jake and josie)

The doctor feels comfortable letting you go home now, there's no sign of a concussion and all your vitals are strong so just take it easy for a few days and no riding or doing anything requiring balance for the next seventy-two hours OK?

JOSIE

OK, no problem, I don't imagine my bike survived too well anyway.

JAKE

Actually it's not too bad, some dents and scrapes and you'll need new fairings but other then that it's good.

JOSIE

Aah, good. Even after all this I still want to be out riding.

(she smiles to herself)

JAKE

Well I'll wait outside and let you get ready, OK?

JOSIE

Sounds good, I'll be out in a few.

As Jake walks out of the room josie looks after him, a faint smile on her face.

NURSE

He's a cutie. How long have you two been dating?

JOSIE

Oh, no we're not together. He's just a friend.

NURSE

Uh-Huh.

(she smiles knowingly at Josie and begins to help remove her IV and get ready to leave)

EXT-HOSPITAL-DAY

Jake wheels Josie out of the hospital, opens the car door for her and drives her home. In the car they chat about the upcoming flying lesson.

JAKE

So, about the flying lesson. Do you want to meet for lunch next week and talk about when you'd like to go? The tickets are good for up to a year.

JOSIE

That sounds nice. How about Ginza Sushiko? I hear they have great sushi.

JAKE

Sure, I love sushi. Just call me when you'd like to go.

(He smiles and hands her a slip of paper with his number on it, letting his fingers brush hers as he hands it to her.)

JOSIE

Thanks.

EXT -IN FRONT OF HER HOUSE-DAY

They get to the housing complex and Jake helps her in to her house.

INT-IN JOSIES HOUSE-DAY

JAKE

Do you need any groceries? I could run to the store for you.

JOSIE

No, I think I'm good.

Thank you so much for all you've done. I could have been stuck out there for days, I could have died out there if it weren't for you.

(looks him dead in the eye while clasping his hand in both of hers)

JAKE

I'm just glad your OK.

(PAUSE)

JAKE (CONT'D)

Well I'd better be going, you call me if you need anything ok? No standing on step-stools to get stuff off the top shelf or anything. If you need something you call, promise?

JOSIE

Fine, fine. Thanks again.

(Shuts door behind him then stands there a moment smiling, lost in thought before shaking her head and going into the kitchen to get something to drink and heading off to bed to read and then sleep.)

INT -SUSHI RESTAURANT-DAY

Jake and JOSIE sit in a small booth, menus in hand.

JOSIE

Oh Gods I love the names, check this out “The Bad Tempered Geisha Boy” a spicy tuna roll with a saucy twist of lemon curd and cream cheese

JAKE

Or this one “The Water Piglet Roll” with krill, banana and mud fish, eew.

JOSIE

I'm thinking that J.C. Hutchins would be right at home here.

JAKE

You read J.C. Hutchins? I love his book Seventh Son!

JOSIE

Ya, I just finished Personal Effects-Dark Art. Then, I had to go out and buy a nightlight.

JAKE

I'll have to check it out, I love scary books.

JOSIE

Me too.

As they talk they move closer to each other and begin to mirror each others movements.

BEGIN JAKE AND JOSIE GETTING TO KNOW YOU MONTAGE

A. Jake and Josie getting to know each other.

B. Long walks walking her puppy.

C. Lunches.

D. Chatting over laundry in the laundry room.

E. Sitting outside a restaurant chatting and laughing.

JAKE

Josie, I have to tell you something.

JOSIE

Sure, whats up?

JAKE

(Sighs)

I'm kinda in love with you

(Looks her in the eyes hopefully)

You're smart, funny and I have a great time every time I'm with you. I just wanted to tell you and I don't have any expectations.

JOSIE

(sighs sadly and doesn't answer)

So, did you ever get that book you were looking for?

JAKE

(looking down at his food)

Ya, It came yesterday, I'll probably start it tonight.

They finish eating in silence.

INT–JOSIES LIVINGROOM–NIGHT

Josie sits on the couch staring out the window while periodically looking at pictures of her and Marco during happier times.(she coughs a few times quietly)

EXT–BEGIN JOSIE'S FLASHBACK MONTAGE–DAY

A. Flashes of josie and marco's past when they were happiest.

B. Fishing trips with josie getting hit in the face with a large trout.

C. Camping trips where Marco tried to build a rabbit snare and ended up so tangled Josie had to cut him loose.

The skiing trip where they fall and laugh every trip down the hill.

E. Josie tearing up and going to bed.

Montage ends

EXT–BOOTCAMP–DAY

Marco and Mike are sitting behind a wall. On the other side of the wall the Drill Sergeant is yelling at dirty suit wearing men making them dig a fire pit and fill it with logs.

MARCO

Mike? You ready with the beans?

MIKE

Yes, Shuush I hear someone coming.

Marco and Mike freeze as a dirty man in a suit wanders near the other side of their walled hiding place.

DIRTY MAN

Can't I just sit for a moment, please Drill Sergeant?

DRILL SERGEANT

You sit when I say you sit! You eat when I say you eat. Now get your ass over to that wood pile and start hauling wood, maggot!

MARCO

Mike, wait until Drill Sergeant is yelling at someone and facing away from us, then do it just like we practised

MIKE

You got it boss

Marco and Mike wait until the Drill Sergeant is facing away yelling at a dirty suit.

DRILL SERGEANT

Hurry up, faster, my ole momma could haul faster then you.

They quickly vault the wall. They each nonchalantly slide a burlap sack bulging with can shapes into the fire pit and then join the dirty suits at their labor.

EXT-BOOTCAMP FIREPIT–NIGHT

DRILL SERGEANT

You came here as lowly bottom feeding suits! You had no balls, no courage and no endurance and look at you now, your lean, mean fighting machines!

MARCO

sir, yes sir!

DRILL SERGEANT

You maggots are almost men! You will be able to take on the corporate enemy bravely and with honour!

MARCO

Five.

MIKE

four.

MARCO

Three.

Before the countdown can continue the Drill Sergeant steps in front of the fire and yells at Marco and Mike.

DRILL SERGEANT

You two screw ups. One hundred pushups on a double time!

Marco and Mike look at each other and hit the dirt with a thud.

The drill Sergeant looks pleased for a second and then notices they aren't doing pushups.

He begins to yell but all of a sudden there is a huge series of explosions.

The beans in the cans are exploding with great force knocking Drill Sergeant down and covering him with hot flaming beans.

MARCO

Bean attack! Everybody follow me.

MIKE

Everybody follow him!

points at Marco then moons the Drill Sergeant who is on the ground writhing in pain.

Everyone runs after Marco and Mike except the Drill Sergeant who just lies on the ground stunned and in pain.

EXT–HOUSING COURTYARD–DAY

Josie heads out to run an errand, as she walks through the courtyard she runs into Jake.

JAKE

Hey,how are you?

JOSIE

I'm good, I need to tell you something though.

(looks down sadly)

JAKE

OK, shoot.

JOSIE

Jake, your adorable and sweet but I love Marco. We've been together for years and I can't just throw that away.

JAKE

I understand...but I still love you and I can't change how I feel either, can we at least be friends still?

JOSIE

I... I need to think about things for a while OK?

(chews her lip nervously)

JAKE

(sighs sadly)

Ya, I understand. See ya around Josie

(he walks away so she can't see the tears welling up in his eyes.

INT–JOSIES HOME–DAY

Josie stays home doing paperwork and working on the computer. She sees Jake around the complex and sighs when she sees him. She thinks about all the good times they had and begins to really miss him.

EXT–COURTYARD-NIGHT

jake stands in front of mailboxes getting his mail. In his mail is a bill addressed to josie put in his box by accident. Jake walks to josies house and knocks josie opens door.

JOSIE

hey, how are you?

JAKE

Good, this was in my mailbox, thought I'd drop it by.

JOSIE

Thanks I've been having a mail problem for a while.

JAKE

What kind of problem.

JOSIE

the mailman, keeps delivering the previous tenant's mail to my address. I enlarged my name on the mailbox, but he still keeps giving me the wrong mail.

I left a note saying that he was delivering the mail incorrectly. The next day I found this note: "Sir, I am delivering the mail correctly. You're just living at the wrong address."

JAKE

oh you've got to be kidding.

(Laughs)

JOSIE

Yes but it does happen a lot.

(laughs as well)

JAKE

If I get your mail again I'll drop it off ASAP.

JOSIE

Don't worry about it, just give me a call and I can pick it up.

JAKE

I don't have your number.

JOSIE

OH, it's one-two-three-four-five-six-seven-eight-nine-zero.

JAKE

Cool, well talk to ya later.

(walks away smiling as josie, also smiling closes the door)

INT-JAKE'S LIVINGROOM-DAY

JAKE

(paces, then picks up phone and dials)

JOSIE

Hello?

JAKE

josie hi, I was just calling to let you know there's a sale at the Harley store. I thought you might need new gear or something.

JOSIE

OH! Thank you for letting me know. I took a corner too wide the other day and tore my pants.

JAKE

Are you ok?

JOSIE

Ya, but my pants are done for, is the sale just for bikes or gear too?

JAKE

Both I think.

JOSIE

Good.

(pause)

Want to go with me, Help me push through the crowd?

JAKE

Sure.

(smiling)

BEGIN HARLEY STORE MONTAGE-DAY

A. Jake and josie walk through the store.

B. Jake helps her through the crowd and protects her from a stack of falling Harley boot boxes.

C. Josie tries on a jacket and pants.

D. Jake admires her outfit and compliments her.

JAKE

That looks great on you. I think you could survive a nuclear explosion with all the safety features

JOSIE

I'm glad you approve maybe we should look at bikes for you.

JAKE

I used to ride it would be cool to get back into it.

EXT-RESTURAUNT PATIO-DAY

jake and josie sit at a table outside a small cafe surrounded by Harley Davidson shopping bags.

JOSIE

I'm glad you came with me I had a blast

JAKE

Seeing all those bikes made me miss riding and you are seriously hot in leather.

JOSIE

Thanks.

(blushing)

Oh, before I forget I picked this up for you the other day after you helped me with the laundry.

(josie hands him a book)

JAKE

Hey, Contagious by Scott Sigler I've been wanting to read this.

JOSIE

I remember, I got it for you last week , just haven't had the time to give it to you until now.

(she smiles at him and puts a hand on his shoulder.)

EXT–JOSIES CAR–DAY

Josie drives Jake home and they spend the drive in comfortable silence sharing an occasional warm smile or pointing out scenery.

EXT–OUTSIDE THE HOUSING COMPLEX–DAY

Josie and Jake exit the car and then stand facing each other.

JAKE

Josie, I know you love Marco, but...can't you love me too?

JOSIE

Yes, I think I could.

CONTINUED

Josie looks down for a moment and then smiling looks up at him and places a hand on his waist and another on his shoulder. She looks him deep in the eyes.

An engine roars in the distance getting louder as Josie tilts her head and Jake, smiling goes to kiss her. A large sedan pulls up with Marco at the wheel, a bouquet of roses on the seat beside him. Jake and Josie pause to look at him and he stops everything to stare back at them.

FADE TO BLACK

22.